In Construction

NOVO Ubud

Multi-zone sound design for NOVO Ubud, a mixed-use complex in central Ubud, Bali: 15 zones, 61 loudspeaker positions, one rack. Acoustic-finish recommendations for the concrete fitness basement, a −18 dB locked pool zone, design-integrated restaurant and lobby audio. Installation under way, launch planned Q4 2026.

Location
Jl. Suweta, Central Ubud, Gianyar, Bali 80571
Type
Hospitality
Client
NOVO Development
Planned launch
Q4 2026
Key facts
15Zones, one matrix — 65–100 dB by room
6Basement zones with TAS acoustic recommendations
−18 dBPool-zone attenuation locked in DSP
31 + 1Amplifier channels plus one spare — a failure is a repatch
85Speaker lines, every joint in a junction box
Q4 2026Planned launch — every figure a design target

NOVO Ubud — mixed-use complex, Jl. Suweta, central Ubud, Bali. Multi-zone background music across the shared spaces: 15 zones, 61 loudspeaker positions, one 32U rack — two restaurant floors, lobby, infinity-edge pool, coworking, yoga, pilates and a fitness floor below grade. Role: TAS.AC — sound system design, equipment specification and installation documentation, plus acoustic-finish recommendations for the concrete fitness rooms. Key figures: 15 zones on one matrix · 31 amplifier channels in service, 1 spare · −18 dB locked attenuation on the pool zone · launch planned Q4 2026. Status: installation under way. Every figure on this page is a design target, to be verified at commissioning.

What does multi-zone audio cover at NOVO Ubud?

TAS.AC designed the multi-zone audio for NOVO Ubud, a mixed-use complex on Jl. Suweta in central Ubud, Bali: 15 zones and 61 loudspeaker positions on one 32U rack. Most of those zones are routine distributed-audio craft. Three were not: a fitness floor poured as bare concrete boxes, an infinity pool with neighbours behind the water line, and interiors the loudspeakers had to belong to. NOVO sells a hard class downstairs and quiet living above it; the sound system lets both promises stand.

How do you design gym sound for a concrete basement?

The fitness floor at NOVO Ubud sits below grade: boxing, cycle, a games-and-power room, two locker blocks and a corridor — six zones in structural concrete, specified for 95–100 dB class levels. Push a 100 dB class into bare concrete and reflections pile onto the direct sound until the beat smears; equalization shapes what leaves the loudspeaker, not how long the room holds it — the fix belonged to the finish.

TAS.AC flagged this while the floor was still bare structure and, beyond the audio scope, recommended the materials for the acoustic and finish treatment. NOVO’s team took the recommendations straight into the build: room and system designed as one acoustic object. TAS RF-10 cabinets and an S12 subwoofer at 3.00 m carry the 95–100 dB training zones; PRO-108D ceiling units hold the lockers and corridor at 65–75 dB.

The infinity edge is also a property line

An infinity-edge pool in a residential quarter of Ubud has two audiences: guests at the water, and the villas past the edge.

Four TAS MQ308 loudspeakers — picked for a dispersion pattern tight enough to aim — cover the pool zone from 3.00 m, each tilted 40 degrees down toward the water; what the aim does not contain, the −18 dB attenuation locked in the DSP does. Inland Ubud wears equipment down with moisture and condensation rather than coastal salt, and the semi-open zones are specified for exactly that. The aiming angles are marked installation-critical: turning a speaker outward, moving it, or lifting the attenuation requires the designer’s written approval, and the pool-bar pair of MT-8s points inward under the same rule.

What does a restaurant sound system in Bali need to do?

At NOVO Kitchen & Bar in Ubud the design target is 80–85 dB: background sound present enough to carry the room, low enough that no table raises its voice, lifting for the evening without a hardware change — six Tannoy DVS 6 and two Yamaha VXS10S subwoofers per floor, tuned from the central DSP.

The second job was visual. The lobby and restaurants are the designed face of the complex — models and mounting positions were agreed with the interior scheme, and where a stock bracket could not put a loudspeaker where the interior wanted it, TAS.AC engineered custom ceiling mounts. The positions are exact — a Tannoy QCI 8 DC pair in the lobby at 3.00 m, restaurant mounts stepped floor by floor. One rule survives any styling decision: subwoofer mounting does not change without a vibration review.

One 32U rack runs all fifteen NOVO Ubud zones

The whole complex plays from one chain: sources into an Allen & Heath AHM-32 matrix, zone processing in TAS.AC XTP DSP units, then eight DX4035 four-channel amplifiers — 31 channels in service, one spare. A failed channel is a repatch, not a silent zone. A fire-panel dry contact mutes every zone on alarm and releases only after the panel resets; voice evacuation is a separate fire-alarm system. Power and the 85 speaker lines follow the same one-path discipline — line spec, sequenced start and junction-box rules are itemized in the reference below.

The fifteen zones — reference

#ZoneLoudspeakersDesign SPL
1Boxing4× TAS RF-1095–100 dB
2Cycle2× TAS RF-1095–100 dB
3Coworking4× Tannoy SAT 3 + 1× Tannoy SAT Sub
4Corridor, −1 floor4× TAS PRO-108D65–75 dB
5Games / Power4× TAS RF-10 + 1× TAS S12 sub95–100 dB
6Lobby2× Tannoy QCI 8 DC65–75 dB
7Lockers, block A (−1)4× TAS PRO-108D65–75 dB
8Lockers, block B (−1)4× TAS PRO-108D65–75 dB
9Swimming pool (infinity edge)4× TAS MQ308, −18 dB locked65–75 dB
10Pool bar / restaurant2× TAS MT-8, aimed inward80–85 dB
11Restaurant, 1st floor6× Tannoy DVS 6 + 2× Yamaha VXS10S80–85 dB
12Restaurant, 2nd floor6× Tannoy DVS 6 + 2× Yamaha VXS10S80–85 dB
13Yoga4× Tannoy DVS 6
14Pilates4× Tannoy DVS 6
15Waiting zone1× Tannoy QCI 8 DC65–75 dB

Head end: Allen & Heath AHM-32 matrix · TAS.AC XTP808 + 2× XTP1616 DSP · 8× DX4035 Class-D amplifiers · 5× WiiM Pro Plus · 4× mini-PC sources · STX PS18 8-channel XLR panel · TP-Link TL-SG2218 switch · EATON 5A2200i UPS · 2× Smart PDU PC-980, sequenced start · 32U Indorack IR6032P.

Power & lines: dedicated 230 V 16 A line, RCD + surge protection · sequenced start — eight amplifiers never hit the line at once · 85 speaker lines, trunk to labelled junction box or direct from the rack · every joint inside a marked box, daisy-chains banned · lengths cut on site with 10 % slack.

What does a multi-zone system like this cost?

NOVO Ubud has no published total; TAS.AC prices by scope — see how we price.

Where the NOVO Ubud project stands

Installation is under way against the May 2026 MEP documentation; launch is planned for Q4 2026. Nothing on this page has been measured in the finished building: the SPL targets and the −18 dB pool ceiling are design figures — the yardstick the commissioned system will be tuned and accepted against.

Systems in delivery
Audio Design

Fifteen zones from one 32U rack

Sources feed an Allen & Heath AHM-32 matrix, TAS.AC XTP DSP units carry the zone processing, and eight DX4035 amplifiers drive 15 zones — a 100 dB boxing room, 80–85 dB restaurants and a pool zone locked at −18 dB so the music stays inside the property. One channel of 32 is a spare; a fire-panel dry contact mutes everything on alarm.

15 zones, 61 speakers
Matrix Allen & Heath AHM-32
Amplification 8× DX4035 — 31 ch + 1 spare
Pool zone ceiling −18 dB, locked
Fire-alarm behavior Priority mute, dry contact
Scope
Audio
Brands
TASAllen & HeathTannoyYamahaWiiMTP-LinkEATON

Building something
like this?

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FAQ

Asked about this project.

Which spaces does the NOVO Ubud sound system cover?
Fifteen zones across the shared spaces: two floors of NOVO Kitchen & Bar, the lobby and waiting zone, the infinity-edge pool and pool bar, coworking, yoga and pilates studios, and a basement fitness floor — boxing, cycle, a games-and-power room, two locker blocks and a corridor. The private apartments are out of scope.
Why did a basement gym need acoustic-finish recommendations from a sound designer?
Because the fitness rooms were bare concrete boxes — floor, walls and ceiling all hard and parallel — and at class levels of 95–100 dB the reflections pile onto the direct sound until the beat smears. Equalization shapes what leaves a loudspeaker; it cannot shorten how long a room holds it. TAS.AC flagged this at the design stage, recommended the materials for the acoustic and finish treatment, and NOVO's team took the recommendations straight into the build — the rooms and the system were designed as one acoustic object.
How does NOVO Ubud keep pool music away from the neighbours?
The infinity-pool zone runs four TAS MQ308 loudspeakers — picked for a dispersion pattern tight enough to aim, tilted 40 degrees down toward the water — behind a −18 dB attenuation locked in the DSP, with aiming angles marked installation-critical. Moving a speaker, turning one outward or lifting the attenuation requires the designer's written approval, and the pool-bar speakers point inward under the same rule. Music is present at the water and held off the villas past the edge — by design, not by an operator's discretion.
What happens to the background music during a fire alarm?
A dry contact from the fire-alarm panel triggers a priority mute across all 15 zones and releases only after the fire panel resets. The background music system is not the voice-evacuation system — evacuation messaging is a separate fire-alarm installation, and the music's only role in an emergency is to get out of its way.
How much does a multi-zone sound system for a Bali complex cost?
There is no published total for NOVO Ubud. The number moves with the zone count and its SPL spread, the below-grade acoustic work, the matrix-and-DSP head end, and the depth of installation documentation. How TAS.AC prices this work is at /pricing/.