Audio that survives the venue.
Loudspeakers, amplifiers, DSP matrices and Dante endpoints — our own TAS line alongside Yamaha, Allen & Heath, Tannoy, JBL, AUDAC, ENNE and Behringer. Everything on this page is specified for the rooms we install in: salt air, steam domes at 50 °C and 100 % humidity, venues that run every night.
Supply-only or installed as one tuned system — either way, quoted per project, with a written two-year warranty on TAS hardware.
TAS.AC supplies professional audio in Bali — loudspeakers, amplifiers, DSP matrix processors and Dante audio-over-IP endpoints — under its own TAS brand plus Yamaha, Allen & Heath, Tannoy, JBL, AUDAC, ENNE and Behringer, supply-only or installed turnkey across Bali and Indonesia. Equipment is built to order — two to six weeks, six is typical. Every system is quoted per project; TAS hardware carries a written two-year warranty with swap stock held on the island.
Our own name
on the rack.
Some of the equipment we install carries our own name. We travel to the factories, select and test the gear ourselves, and sell it under the TAS brand with a written two-year warranty. We don't name the plants. The name is the guarantee: the company that invoices the gear also installs it and answers the warranty call.
The line covers the parts of a venue system where reliability is bought in engineering, not in a logo: power amplifiers, matrix processors, amplifier-matrix combos, DSP processors, cabinet and compact loudspeakers. And the installation cable and connectors that tie a rack together.
The amplifier shelf alone runs to 39 models — 21 class-D DX units and 18 DP units with DSP on board, in two- and four-channel configurations, from 250 W to 4,000 W per channel into 8 Ω. That range exists to size the amplifier to the cabinets it drives. Power mismatch is the failure that costs hardware; at SILK in Canggu it had burnt the amplifiers and three loudspeakers before we were called.
Two TAS units sit in that SILK rack now — a DSP1212 12×12 matrix and a DX4350 four-channel amplifier, racked together on casters in the back room, running since July 2026. That rack is the honest pitch for the line: not a brochure, a venue in service.
Because the name on the gear is ours, the spares problem is also ours. We keep amplifier and loudspeaker swap stock on the island; a warranty case means a swap unit in one to two days.
The brands
we carry.
Allen & Heath.
The matrix and console layer TAS.AC systems are built on. An AHM-64 runs the 21-zone patch at Luna Beach Club; an AHM16 runs the eight operating zones at ATMOS.
Yamaha.
The installation workhorse. VS6 surface-mount and VXC6 in-ceiling units cover ATMOS from the massage corridor to the lockers; at SILK the existing VS6 cabinets were worth keeping, and two VXS10S subwoofers took the low end off them.
Tannoy · JBL · AUDAC.
Installation loudspeakers across the tier range — specified when the room or a consultant's BoQ calls for them.
ENNE.
Column, active and subwoofer cabinets, DSP matrices, Dante converters and conference microphones — a line we carry across the catalog's audio shelves.
Behringer.
Mixers and the working layer behind DJ input points — the socket on the wall a guest DJ plugs into without touching the installed system.
Dante.
A transport, strictly speaking, and the one most of our larger systems ride on: audio over one network cable, any source to any zone, every channel documented. Luna runs a 21 × 13 patch on it, with a reserve Dante server in the same broadcast domain.
Specifications are the manufacturers’, not ours — read them at the source: Yamaha, Allen & Heath, JBL Professional, Tannoy, AUDAC, Behringer, Dante.
The shelves.
The audio catalog runs to 151 line items across 27 subcategories. Grouped by what the hardware is for:
Ceiling & pendant speakers — 19 items.
Background audio done properly: flush units where there's a ceiling, pendants hung over open-plan spaces where there isn't.
Column & wall-mount speakers — 23 items.
Directional coverage for terraces and long rooms — sound aimed at the guests and kept away from the banjar.
Cabinet, compact & full-range speakers.
Foreground zones, stereo lounges, small stages — sized to the zone they serve.
Subwoofers — 7 items.
Low end for zones that dance. At SILK, two subs took the bass load off cabinets that were never meant to carry it.
Amplifiers & amp-matrix units — 39 TAS models plus the named brands.
Two- and four-channel, class-D and DSP-equipped, 250 W to 4,000 W per channel. Matrix-amplifier combos where a small venue wants routing and power in one box.
DSP matrices & processors — 11 items.
The brain of a multi-zone venue: routing, per-zone EQ and limiting, scene presets your staff can't accidentally destroy. Every level decision lives here; the rack knobs stay fixed at calibration.
Dante & AV-over-IP endpoints — 27 items.
Converters, encoders and decoders that put audio on the network — the channel list becomes a document your IT contractor can maintain.
Microphones & paging.
Wireless, conference and paging positions — announcements that cut through a full room without blasting it.
Cable & connectors — 43 items.
Installation cable and terminations under the TAS name. Unglamorous, and the layer that decides whether the rack above it stays serviceable.
Everything here is built to order — two to six weeks, six is typical. No stock badges, no "ready" stickers: the lead time is written on your quote, and it holds once it's on the PO.
The speaker model
is the last decision.
The procedure runs the other way around:
Zones. How many independently controlled areas the venue has — count them: a dining room, a terrace and a bathroom corridor are three zones. SILK came out at six channels across 11 loudspeaker lines; Luna runs 21. The count decides everything downstream.
Coverage & level. What each zone needs — background, foreground or performance level — and what the environment does to it: an open roof, hard walls, a pool between the speakers and the guests.
Environment rating. Indoors, semi-outdoor, marine exposure, or a steam dome at 50 °C and 100 % humidity. This decides IP rating and materials before any brand is discussed — and it can rule against the expensive box. Inside the ATMOS domes the right answer was an inexpensive, deliberately replaceable speaker, DSP-tuned until no seat can locate it.
Tier. Good / Better / Best, presented per project so you choose the level. Higher-tier loudspeakers and processors cost more; the coverage math stays the same.
Then, and only then, a model number goes on the list.
Boxes are the easy half. If the room still needs zoning, coverage, DSP and control decided, that's the studio side of the house — services shows what we take on, and how we work shows the sequence from design to handover. Supply-only is welcome too; skip straight to the FAQ if that's you.
What moves
an audio number.
Each independently controlled zone adds amplification, DSP and tuning.
Good / Better / Best, chosen per project.
Outdoor, spa and marine zones cost more per box and last years longer.
Network audio saves cable and rack space, costs more per endpoint.
Installation and tuning appear as their own line on the same quote.
We don't publish list prices, because a real audio number depends on all five — a flat catalog price would overcharge a two-zone café or under-scope a beach club. A pair of ceiling speakers is a Tokopedia purchase. A 12-zone venue that has to answer a banjar noise complaint is not. Tell us which one you're buying and we'll quote accordingly — how a range becomes a quote →
Three rooms,
three different problems.
Luna Beach Club — scale. At Nuanu Creative City on Nyanyi Beach, one Allen & Heath AHM-64 routes 13 sources across 21 zones, with a reserve Dante server standing by in the same broadcast domain. Staff run the whole venue from a five-tab app — Reception to Utopia Cliff. TAS.AC's first project, running daily since January 2024.
ATMOS Social Steam Club — environment. Inside two clay steam domes at 50 °C and 100 % humidity, DSP tuned from in-room measurements until no seat can locate the speaker — a diffuse field in a room where guests sit with their eyes closed. The in-dome speakers were chosen as replaceable parts; a year and a half of daily steam later, by the owner's account, none has needed the swap.
SILK Restaurant — rescue. The inherited install had burnt amplifiers and three loudspeakers; the Yamaha cabinets were fine. We kept them, rewired the room by zone, and added a TAS DSP1212 matrix and DX4350 amplifier. Six zones across 11 loudspeaker lines, calibrated July 2026 — a rescue, not a rip-out.
Every model named in those three rooms comes from the shelves on this page.
Terms you can
hold us to.
Two-year warranty on TAS-branded hardware, in writing on every quote. Named brands carry their manufacturer warranty, handled by us locally.
Swap stock on the island for the key categories — amplifiers and loudspeakers — so a warranty case means a swap unit in one to two days.
Built to order — two to six weeks, six is typical. The lead time on your quote is the lead time.
Quoted per project, nett. Supply-only orders welcome, with faktur pajak issued as standard. The number we quote is the number we invoice.
Questions buyers ask.
Inherited a system that misbehaves? How rescue works →
Send the list,
get a number.
A model list, a BoQ, or a floor plan and "make it sound good" — any of the three works. You get back coverage, tier options and an itemized number that holds. And if the honest answer is that a Tokopedia pair covers your room, that's the answer you'll get.